rough first draft of my latest screenplay's first act is in the books. I'm having fun with the story and really writing it as I go which is a big change from ACYW.
I can also tell where I've learned from class and can see the improvement that it's made on my screenwriting. I'm able to do more with less.
Looking forward to ramping up the action in Act Two...
Monday, January 17, 2011
Saturday, January 8, 2011
All Queued Up
hanks to feedback from a screenwriting classmate, I now have 18 log lines for potential screenplays ready to go. I've also done extended preliminary work (what I call 'pipelining' for whatever reason) on five screenplays - fleshing out characters, subtexts, locations et al. These early notes get me percolating and have lead to longer notes about specific scenes and culminating moments all of which bodes well for nice, tight synopses.
Which of the 18 do you like most? Drop me a line and I'll send 'em over.
Which of the 18 do you like most? Drop me a line and I'll send 'em over.
Sunday, January 2, 2011
Don't Think Twice, It's Alright
appy New Year! 2010 was a productive year for the Little Engine, but more than anything 2010 sewed seeds for 2011. While I hope to learn about synopsis letters this week, I've already started to work on new projects.
Namely, I've written draft log lines for about a dozen screenplays and for two of them I've already outlined main characters, sub-characters and their subtexts, what each screenplay's major (and minor) dramatic questions are and potential locations for different scenes. All broad strokes, but steps in the right direction. Tonight I'll work on a third. I've also reached out to folks in my class. Hopefully we can continue critiquing each others' work each week as that proved very helpful.
A friend asked me what my New Year's resolution was. I didn't think twice: To write my ass off. It's alright.
Namely, I've written draft log lines for about a dozen screenplays and for two of them I've already outlined main characters, sub-characters and their subtexts, what each screenplay's major (and minor) dramatic questions are and potential locations for different scenes. All broad strokes, but steps in the right direction. Tonight I'll work on a third. I've also reached out to folks in my class. Hopefully we can continue critiquing each others' work each week as that proved very helpful.
A friend asked me what my New Year's resolution was. I didn't think twice: To write my ass off. It's alright.
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