Of Idioms and Brooklyn

ust a quick update. I finished reading The Stories Behind 100 Chinese Idioms. Some favorites:

1) Tyranny is fiercer than a tiger.
2) All that is needed is an east wind.
3) Like a crane standing among chickens.

I've now moved on to John Patrick Shanley's screenplay of Moonstruck, a favorite movie, which does a nice job of bringing together the stories of several characters akin to what I try to do. I may try to hit the Strand to see what screenplays they have as the NYPL, for once, doesn't seem to have many (at least not circulating).

People, Events, Ideas - Screenplays?

few years ago I came across the following saying which one website attributed to Eleanor Roosevelt: "Great minds discuss ideas. Average minds discuss events. Small minds discuss people." I'd tweak this a bit and say, "Great minds tend to discuss ideas. Average minds discuss tend to discuss events. Small minds tend to discuss people."

I mention this because the woman who just read ACYW and provided feedback essentially said all I cared about were the ideas driving the plot and not the characters. While I do not subsequently align myself with Roosevelt's "great minds", I do agree with the assessment. While I grew to enjoy my characters after a lot of work, they do come second, if that, to the ideas that drive my writing.

To this end, she recommended I make ACYW a screenplay. I have never read a screenplay, but I requested some from the library and will do my homework.

This brings up some questions. First, why can ACYW afford to be less character driven as a screenplay than as a book? Second, why is it necessary to be intimately familiar with characters to appreciate the ideas at hand? Third, if a majority of the world thinks about events and people how screwed is work driven by ideas? This also, of course, begs a more personal question.

Back in the Groove

ow that a number of concerns are out of the way, I only have one distraction from writing: baseball. Every year I brace myself for a serious writing hiatus as my mind wanders to the playing field and every year I find a way to make progress nevertheless. Hopefully this year will yield more of the same.

To that end, I picked up The BFL the other day and put pen back to paper. It felt good. Very good. It didn't take long for the story to come back to me, nor for my interest and excitement for the story to do the same.

I have also restarted my research into Chinese language. I picked up The Stories Behind 100 Chinese Idioms at the library and should finish it in the next few days. I'll share some of my favorite idioms and the stories behind them in future posts.

Jinxing Myself

ork on The Beer Flower Limited (The Girl Who Cried L-v-) has temporarily stalled while I tend to other matters that require attention. Yeah, I'm not happy about it either, but you gotta do what you gotta do.

That being said, a writer/editor is taking a close look at Any Color You Want. We'll then consider how to pitch it to some of the agents and independent publishers that she knows. For as much as I'm trying not to get ahead of myself, it is fun to think about a possible book tour and how I would present myself and my work in an engaging manner. More on this later, like, when it gets closer to being a reality.

Getting Wet

ow many Chinese holidays or festivals can you name? Well, until very recently I couldn't name any. To correct this, I read a book from the Chinese Classic Cultural Stories Series on traditional Chinese festivals. In some ways, this took me back to Frazer's The Golden Bough, one of the first histories of religions and, by extension, history of festivals.

I read up on Chinese festivals to get a better idea of when in the year I should set my story and what, if any, festival or event, I could set the story around. I have a few festivals in mind, but the winner may be the Water-Splashing Festival which usually takes place around April 12th. According to Traditional Chinese Festivals, "young people are divided into two camps, one of young men and the other of young women, throwing floral bags to each other. If a young man cannot catch the bag from a girl, he has to plug a flower on her coiled peacock bun. If a girl fails to catch the bag from a boy, she has to put a flower on his chest. With the lapse of time, a favorable impression and a tacit mutual understanding will develop between them [that the bag] will always land in each other’s hands, as if it had eyes. This is the unique Dai style of expressing love by young people, romantic and unforgettable."

Cool story, eh? And one I think I could have some fun with.

Mining the calendar

n Any Color You Want I used the lead-up to and the outcome of a kids' soccer tournament to build tension (along with a historic Election Day, a mammoth financial meltdown and other goodies). In The Beer Flower Limited (The Girl Who Cried L-v-), I have a rivalry between two individuals (Pijiu and Houston), two countries (China and the U.S.), (at least) two media outlets (East and West) and other factors to build tension, but it never hurts to consult the calendar.

In this case, I'm consulting the Chinese calendar, in particular, their calendar and history of cultural festivals as described in Traditional Chinese Festivals (2007) from the Spring Festival to the Harvest Festival. Until I actually get to make the trip to China, this book and others have greatly enlightened me as to Chinese traditions, history, culture and language - all bits that can only make my story richer and more poignant.

Working with a particular festival can also help me time my story as a community/country prepares for a festival, celebrates a festival and then recovers from it essentially providing its own arc which the rest of the story can run parallel to, if I so choose.

Lastly, thanks to Jessica Hische for the capital "I" that lead off this post. She has made such caps available for free through her Daily Drop Cap site.

9 down...11 to go

Yeah, another one down, another one added. No biggie. It just means that I'm getting into the story more, getting into detail more and making each chapter more defined and tight. I might end up doing some consolidating down the road - needless to say, there's a lot more road to go down if the last book, its multiple drafts and two years of writing are any indication.